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接口  Interface — 2025

作品位置：杭州 - 浙江美术馆 -  第五届杭州纤维艺术三年展
LOCATION：HANGZHOU -  Zhejiang  Art  Museum  - 2025 Hangzhou Triennial of Fiber Art

不锈钢、管线、LED、AI大模型语音交互     |    尺寸： 高350cm
Stainless steel, Pipeline, LED, AI large model voice interaction


作品方案延续个人“屋子”系列的创作。以往创作的“屋子”系列作品始终以物理空间为载体，探讨个体与环境的动态关系。而本次参加纤维三年展创作的作品《接口》将引入实时AI交互，观众可以跟屏幕上的“我”聊天。以电线缠绕的“硬结构”与流动的虚拟影像形成张力，延续对“容器”概念的研究，同时也是个人研究方向“现实与虚拟”主题的探索。

作品《接口》的本质是一场针对技术理性的艺术解剖：通过将社交媒体、AI对话、虚拟人等日常数字工具“去功能化”并置于超现实语境，迫使观众直面被数据异化的生存状态。其创新不仅在于技术融合，更在于以纤维艺术的柔软性对抗数字硬核，在电线与屏幕的裂缝中，重燃人类感知真实的原始能力。

The project proposal continues my personal "Hut" series. Previous works in this series have consistently used physical space as a medium to explore the dynamic relationship between individuals and their environment. For the fiber art triennial, the work "Interface" will introduce real-time AI interaction, allowing viewers to converse with a digital "me" on the screen. The tension between the wire-entangled "hard structure" and the flowing virtual imagery extends the investigation into the concept of "containers," while also exploring the thematic focus of my research: "reality and virtuality."

The essence of "Interface" is an artistic dissection of technological rationality: by de-functionalizing everyday digital tools such as social media, AI dialogue, and virtual humans and placing them in a surreal context, it compels viewers to confront their data-altered existence. Its innovation lies not only in technological integration but, more importantly, in using the softness of fiber art to challenge digital rigidity—reigniting humanity's primal capacity to perceive authenticity within the fissures between wires and screens.