interactive engineers. Cross-disciplinary creative concepts
enable their works to exhibit a greater range of possibilities.
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StudioGEAR 是一支由艺术家/机械师 /交互工程师组成的公共艺术团体 ，致力于将造型/光影/声音 / 机械等跨媒介的技术融合到艺术创作中 。不断尝试冲破以往的艺术认知和技艺手段，实现了艺术创作与城市文化景观之间的对话，这种跨界的理念使他们的作品呈现出了更多的可能性。
StudioGEAR is a public art collective composed of artists , machinists , and interactive engineers, dedicated to integrating cross-media technologies such as form , light and shadow , sound , and mechanics into artistic creation . They continuously strive to break through conventional artistic perceptions and techniques, facilitating a dialogue between artistic creation and urban cultural landscapes. This interdisciplinary approach has enabled their works to exhibit a greater range of possibilities.
中国美术学院副教授、博士
中国雕塑学会会员
浙江省雕塑学会理事
2008年赴意大利罗马美术学院交换学习。
2010年留校任教于中国美术学院公共空间艺术系至今。
2017年以访问学者的身份到浙江大学机械工程学院交流。
徐戈的作品源于他对科学的迷恋，尤其是机械学、物理学以及电子控制。深受欧洲古典自动机艺术的影响，机器的运动方式、发出的声音以及内在的诗意是他所关注的几个方面。当机器褪去功能性之后，其内部包含能够产生运动和模拟生命的机制成为那个让人迷恋的源头。 近年来，借助科技媒介犹如声音和光的介入以及现代控制技术的普及，使他开始尝试在公共艺术的语境下创造一系列动态的、严谨的却又饱含温情的科技艺术表达。动态变幻的介入使得原本静态的造型艺术产生时间维度上的无限绵延。
Team Leader | Xu Ge
Associate Professor, China Academy of Art, Ph.D
Member of Chinese Sculpture Society
Director of Zhejiang Sculpture Society
Born in 1983 in Taizhou , Zhejiang Province , Xu Ge completed his undergraduate and postgraduate studies at the China Academy of Art (CAA) , and in 2008 he went to Italy to study on exchange at the Rome Academy of Fine Arts, and in 2010 he stayed in the school to teach at the Department of Public Space Art at CAFA , where he has been teaching since then. 2017 he went to the School of Mechanical Engineering at Zhejiang University as a visiting scholar.
Xu Ge's work stems from his fascination with science , especially mechanics , physics, and electronic control. Deeply influenced by the European classical art of automata , the way machines move , the sounds they make , and their inherent poetry are a few of the aspects he focuses on . Once the machine has lost its functionality , the mechanisms contained within it that generate movement and simulate life are the source of this fascination.
In recent years , the intervention of technological media such as sound and light , as well as the popularization of modern control technology , has led him to try to create a series of dynamic, rigorous yet warm technological art expressions in the context of public art. The dynamic and changing interventions make the originally static plastic arts have an infinite extension in the dimension of time.
团队成员 Team members