A public art collective composed of artists, mechanics, and 
interactive engineers. Cross-disciplinary creative concepts 
enable their works to exhibit a greater range of possibilities. 鼠标悬停显示下拉菜单
DynamicLightSoundLuminoStaticAI

Solo Exhibition
About  
Contact News
PDF Portfolio
Instagram
YouTube
小红书
Project 1 Project 2 Project 3 Project 4 Project 5 Project 6




来自风的信号 3   Wind Signal  III —  2025
作品位置：首展于成都西财天府学院美术馆，后坐落于成都西财天府学院
LOCATION：First exhibited at Tianfu College of swufe art gallery in Chengdu, and subsequently housed at tianfu college of swufe in CHENGDU

不锈钢       Stainless steel     |    高度 660cm
风，是自然界最古老、最普遍却最不可捉摸的力量。它没有形体，却雕刻出沙丘与峡谷；它没有声音，却能让万物鸣唱。《来自风的信号》系列作品正是将这位“无声艺术家”的创作过程可视化/可听化。
   
艺术家徐戈将目光投向天府之国的在地文化基因与校园的人文生态，通过一件高达6.6米的装置，完成了一场与风、与土地、与未来的对话。通过机械技术媒介，捕捉风的轨迹、速度与力量，将其转化为一系列人类感官可以直接感知的信号，从而使无形之风显形，让寂静之声被听见。
   
作品选择了最具四川地域特色与东方智慧的竹编工艺。竹子，中空有节，挺拔而柔韧，本身就是自然与匠人精神合作的结晶。这既是对非物质文化遗产的当代致敬，也让作品本身成为一具巨大的、有温度的“乐器”或“天线”，静候风的降临。作品的生命分为两个阶段。首先，它在成都西财天府学院美术馆的“白盒子”空间内，被聚焦、凝视，引导观众沉思自然之力与艺术转化的关系。展览结束后，它将永久迁徙至校园的户外环境。这一迁徙至关重要，它意味着作品从被观看的“客体”，融入了师生日常生活的“背景”与“伙伴”。见证着四季更迭、朝夕晦明，感受青春的喧嚣与学业的静思，真正成为校园生态和集体记忆的一部分。

Wind is the oldest, most universal, yet most elusive force in nature. Without form, it carves dunes and canyons; without sound, it compels all things to sing. The *Signals from the Wind* series of works visualizes and sonifies the creative process of this "silent artist."

Artist Xu Ge turns his gaze to the local cultural DNA of the Land of Abundance and the humanistic ecology of the campus, creating a dialogue with the wind, the land, and the future through a 6.6-meter-high installation. Using mechanical and technological media, he captures the trajectory, speed, and force of the wind, transforming them into a series of signals directly perceptible to human senses. Thus, the invisible wind is made visible, and the silent voice is given sound.

The work incorporates bamboo weaving, a craft most emblematic of Sichuan's regional character and Eastern wisdom. Bamboo, hollow-jointed, upright yet flexible, is itself a crystallization of the collaboration between nature and artisan spirit. This is both a contemporary tribute to intangible cultural heritage and an embodiment of the work as a massive, warm "instrument" or "antenna," awaiting the wind's arrival. The life of the work unfolds in two stages. First, within the "white cube" space of the Tianfu College of SWUFE Art Museum in Chengdu, it is focused upon and contemplated, guiding viewers to reflect on the relationship between natural forces and artistic transformation. After the exhibition, it will be permanently relocated to the campus's outdoor environment. This migration is crucial, signifying the work's transition from a viewed "object" to an integrated "background" and "companion" in the daily lives of teachers and students. There, it will witness the changing seasons and the shift from dawn to dusk, sense the vibrancy of youth and the quiet contemplation of study, truly becoming part of the campus ecology and collective memory.