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时间纪念碑 - 临摹十七棵杨树 Time Monument - Seventeen Poplar Trees — 2020
作品位置：山西 - 云竹湖 - 在地创作
LOCATION：SHANXI - YUNZHU LAKE - CREATION ON LOCATION
金属 、现成品 、 夜景灯光系统模拟呼吸效果 | 高度与杨树等大 Height with poplar and other large
Metal , Ready-made , Night lighting system to simulate breathing effects
通过对现场十七棵杨树的现有造型进行解构，提炼其形式。将杨树在这一刻的形态用现成品、金属进行等比例临摹。杨树还会持续生长变化，但雕塑的时间是定格的，他们之间形成一种相对的状态。旧物现成品塑造而成的十七棵树，反映的是我们对不断变化的生活的记录捕捉，嫁接而成一种综合语境，用以诠释在地生活以及与当下现实的平行关系。
同时这也是一个持续的有生命力的创作计划。每隔五年，根据杨树新的生长状态，在雕塑作品原有的基础上添加新的旧物材料，进行持续的临摹工作。这些具有时代特征的旧物伴随着我们生命的周期以及城市的蜕变在作品中焕发出新的生命力，成为时间的纪念碑。
By deconstructing the existing shapes of the seventeen poplar trees on site and refining their forms . The form of the poplars at this moment in time is copied in equal proportions using readymade products and metal. The trees will continue to grow and change, but the sculpture is frozen in time, creating a relative state between them. The seventeen trees, moulded from old readymade objects, reflect our capture of the ever-changing record of life, grafted into an integrated context that interprets local life and its parallel relationship with the present reality.
At the same time it is an ongoing living creative programme. Every five years, according to the new state of growth of the poplar trees, new old materials are added to the original foundation of the sculpture, and continuous copying work is carried out. These old objects with the characteristics of the times are accompanied by the cycle of our life and the metamorphosis of the city to give new life to the works, and become a monument of time.
由于现场原因作品最终没有落地安装。
Due to site reasons the work did not end up being floor mounted.
创作过程 | Creative process